I’m sure you’ve noticed that I’ve been playing around with the occasional black-and-white photo lately. It’s hard! I haven’t shot black and white for 40 years, and really, I don’t suppose I was all that good at it in the first place, back when I was a teenager. The darkroom stuff was fun, though.

Anyway, this is a picture of…I dunno. Maybe Mt. Pilchuck? It’s in Washington State east of Everett, more or less, so that’s my best guess. The interesting thing is that this was a terrible photo in color. No matter what I did, it just wasn’t any good. In black and white, though, it’s not bad. It’s still not great, but it’s perfectly respectable.

I’m the farthest thing in the world from a black-and-white nazi. I think most photographs, just like most paintings and most movies, are better in color. But sometimes black and white really is better, usually in cases where the colors are subdued and relatively uniform, and therefore do little except to draw your attention away from the play of light and shadow. This is an example.

BY THE WAY: This was shot through a car window traveling north on I5.

March 17, 2018 — Everett, Washington

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Fact:

In-depth journalism that investigates the powerful takes real money and is so damn important right now.But it doesn’t take a Mother Jones investigation to know that billionaires and corporations will never fund the type of reporting (like they do politicians) we do that exists to help bring about change. Instead, our mission-driven journalism is made possible by people power, and has been for 46 years now since our founding as a non-profit.

In “TITLE TK” Monica Bauerlein writes about the perilous moment we’re in, and why it’s so important that we raise $325,000 by the time November’s midterms are decided so we can be ready to throw everything we have at the big issues facing the nation no matter what happens. Please help MoJo’s people-powered journalism with a donation today.

$400,000 to go!

payment methods

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