The Sights and Sounds of Esquivel!

Esquivel! <i>Bar None</i>.

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Juan Garcia Esquivel was the happiest discovery of the silly, short-lived, ’90s lounge craze. A long-lost master of what became known as “space-age bachelor-pad music,” the Mexican bandleader specialized in giddy, sweetly weird instrumentals that tweaked the conventions of bland, easy-listening pop. On Sights and Sounds, recorded in 1974 as a promotional tool for a Chicago restaurant, Esquivel and his peppy crew could be a cocktail combo from a parallel dimension. As a pair of female vocalists soar and swoop nonsensically—“Pow! Pow! Pow!” and “Zoo-zah” are typical interjections—percussionists make a merry clatter and Esquivel showers the offbeat arrangements with rippling piano notes. Radiating optimism, he embodies a heartfelt love of sound that transcends the campy trappings; even the moody dance number “La Mantilla” is joyous. And if the hyperactive take on “Rhapsody in Blue” doesn’t raise a smile, you’re beyond help.

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Fact:

In-depth journalism that investigates the powerful takes real money and is so damn important right now.But it doesn’t take a Mother Jones investigation to know that billionaires and corporations will never fund the type of reporting (like they do politicians) we do that exists to help bring about change. Instead, our mission-driven journalism is made possible by people power, and has been for 46 years now since our founding as a non-profit.

In “TITLE TK” Monica Bauerlein writes about the perilous moment we’re in, and why it’s so important that we raise $325,000 by the time November’s midterms are decided so we can be ready to throw everything we have at the big issues facing the nation no matter what happens. Please help MoJo’s people-powered journalism with a donation today.

$400,000 to go!

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