The Sights and Sounds of Esquivel!

Esquivel! <i>Bar None</i>.

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Juan Garcia Esquivel was the happiest discovery of the silly, short-lived, ’90s lounge craze. A long-lost master of what became known as “space-age bachelor-pad music,” the Mexican bandleader specialized in giddy, sweetly weird instrumentals that tweaked the conventions of bland, easy-listening pop. On Sights and Sounds, recorded in 1974 as a promotional tool for a Chicago restaurant, Esquivel and his peppy crew could be a cocktail combo from a parallel dimension. As a pair of female vocalists soar and swoop nonsensically—“Pow! Pow! Pow!” and “Zoo-zah” are typical interjections—percussionists make a merry clatter and Esquivel showers the offbeat arrangements with rippling piano notes. Radiating optimism, he embodies a heartfelt love of sound that transcends the campy trappings; even the moody dance number “La Mantilla” is joyous. And if the hyperactive take on “Rhapsody in Blue” doesn’t raise a smile, you’re beyond help.

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THE TRUTH...

is the first thing despots go after. An unwavering commitment to it is probably what draws you to Mother Jones' journalism. And as we're seeing in the US and the world around, authoritarians seek to poison the discourse and the way we relate to each other because they can't stand people coming together around a shared sense of the truth—it's a huge threat to them.

Which is also a pretty great way to describe Mother Jones' mission: People coming together around the truth to hold power accountable.

And right now, we need to raise about $400,000 from our online readers over the next two months to hit our annual goal and make good on that mission. Read more about the information war we find ourselves in and how people-powered, independent reporting can and must rise to the challenge—and please support our team's truth-telling journalism with a donation if you can right now.

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