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Escovedo played punk (the Nuns) in the ’70s and country rock (Rank and File) in the ’80s before becoming a rootsy singer-songwriter. On his first work since surviving a near-fatal bout of hepatitis C, he turns hard-earned experience into haunting reflections on loss, desire, excess, and, ultimately, transcendence. Escovedo’s brooding voice, which can suggest the saddest man on earth, encounters the perfect foil in the savvy and subtle production of Velvet Underground alum John Cale. The finely detailed textures lend the songs a warm chamber-music glow, whether Escovedo is recalling a somber trek across the Southwest or unleashing a rough-and-tumble lament that’s a dead ringer for the Velvets’ scorching classic “Waiting for the Man.” If the ode to his grieving mother is almost too much to bear, a breezy tale of accidental lovers proves he hasn’t forgotten how to hope.

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Fact:

In-depth journalism that investigates the powerful takes real money and is so damn important right now.But it doesn’t take a Mother Jones investigation to know that billionaires and corporations will never fund the type of reporting (like they do politicians) we do that exists to help bring about change. Instead, our mission-driven journalism is made possible by people power, and has been for 46 years now since our founding as a non-profit.

In “TITLE TK” Monica Bauerlein writes about the perilous moment we’re in, and why it’s so important that we raise $325,000 by the time November’s midterms are decided so we can be ready to throw everything we have at the big issues facing the nation no matter what happens. Please help MoJo’s people-powered journalism with a donation today.

$400,000 to go!

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