Music: Welcome to Mali

Test Ticker

Please support Mother Jones with a year-end donation. The truth is, we're a long way from our $600,000 goal, and we have to get as close as we can by Tuesday so we don't have to make hard decisions come January. If you value our reporting, please consider pitching in today.

$600,000

We still need to raise 400,000: Whether you can give $5 or $500, it all matters.

Please support Mother Jones with a year-end donation. We need to raise $600,000, or get as close as we can, by Tuesday so we don't need to make hard decisions come January. Whether you can give $5 or $500, it all makes a difference.

Let our journalists help you make sense of the noise: Subscribe to the Mother Jones Daily newsletter and get a recap of news that matters.

Amadou Bagayoko and Mariam Doumbia embody eclecticism at its liveliest. Following 2005’s Dimanche à Bamako, recorded with Spanish collagist Manu Chao, this bracing album from the blind Malian couple gracefully blends everything from traditional instruments like kora and balafon to cellos and trombones, generating hypnotic, danceable layers of sound. Highlights include the synth-driven “Sabali,” produced by Damon Albarn (Blur, Gorillaz), the sexy R&B of “Je Te Kiffe,” and “Masiteladi,” featuring Amadou & Mariam’s gospel-style vocal exchanges, spiky guitar riffs, and a deep-funk groove. One of the pleasures of Welcome to Mali is listening for the surprising ingredients the band adds to its endlessly flexible songs.