December 12, 2016

Films to Quench Your ’60s Music Nostalgia

From a new Beatles documentary to concert recordings of James Brown and other ’60s greats.


The Beatles
Eight Days a Week—The Touring Years
Capitol/UMe

T.A.M.I. Show/The Big T.N.T. Show
Shout! Factory

Courtesy of Apple Corps Ltd./UMe

Nostalgic fans of a certain age who like to pontificate about how great music was in the ’60s can cite a couple of new home video releases to back up their argument. Directed by Ron Howard, documentary Eight Days a Week—The Touring Years offers a concise, 100-minute survey of the Fab Four’s career up to the point they stopped touring in 1966. Inevitably, it only skims the surface, but the music is (of course) terrific and the footage of the lads sending audiences into a hysterical frenzy captures the bizarre, sometimes frightening energy of the day. Extras on the two-disc edition include charming reminiscences by American fans and uncut performances of five songs that prove what a cooking live act they were. While the Beatles probably had to stop touring just to preserve their sanity, it’s hard not to conclude from this engaging film that a special spark left their music when they retired from the road, even as their artistic ambitions expanded  exponentially.

T.A.M.I. Show/The Big T.N.T. Show pairs two mid-’60s concert films presenting rock and soul acts live onstage, each delivering a brief set in the style of multiple-artist package tours of the day. The previously available T.A.M.I. Show offers strong performances from the likes of Chuck Berry, Marvin Gaye, the Beach Boys, Lesley Gore, and Smokey Robinson and the Miracles, among others, as well as a few duds, but the centerpiece remains James Brown’s surreal, over-the-top display of genius. Writhing and shouting yet always fully in control, the Godfather of Soul embodies performance art at its mind-bending best and makes the Rolling Stones, who follow him in the movie, seem like capable but callow little boys by comparison. (T.A.M.I. is “Teenage Awards Music International,” but there were no such awards.)

Long unavailable, The Big T.N.T. Show isn’t quite in the same league, but it more than bears watching. Highlights include the sloppy and charming Lovin’ Spoonful, witty country songsmith Roger Miller and early rock and roll great Bo Diddley, laying down deep grooves (not to mention the Byrds, Ray Charles, and the Ronettes). The weirdest moment occurs when folk queen Joan Baez fronts an orchestra for a faithful cover of the Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’,” with Phil Spector, who produced the original, conducting the musicians. It’s as astounding in its own puzzling way as James Brown’s titanic “Please Please Please.” Those were the (strange) days.

WE CAME UP SHORT.

We just wrapped up a shorter-than-normal, urgent-as-ever fundraising drive and we came up about $45,000 short of our $300,000 goal.

That means we're going to have upwards of $350,000, maybe more, to raise in online donations between now and June 30, when our fiscal year ends and we have to get to break-even. And even though there's zero cushion to miss the mark, we won't be all that in your face about our fundraising again until June.

So we urgently need this specific ask, what you're reading right now, to start bringing in more donations than it ever has. The reality, for these next few months and next few years, is that we have to start finding ways to grow our online supporter base in a big way—and we're optimistic we can keep making real headway by being real with you about this.

Because the bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. We really need to see if we'll be able to raise more with this real estate on a daily basis than we have been, so we're hoping to see a promising start.

payment methods

WE CAME UP SHORT.

We just wrapped up a shorter-than-normal, urgent-as-ever fundraising drive and we came up about $45,000 short of our $300,000 goal.

That means we're going to have upwards of $350,000, maybe more, to raise in online donations between now and June 30, when our fiscal year ends and we have to get to break-even. And even though there's zero cushion to miss the mark, we won't be all that in your face about our fundraising again until June.

So we urgently need this specific ask, what you're reading right now, to start bringing in more donations than it ever has. The reality, for these next few months and next few years, is that we have to start finding ways to grow our online supporter base in a big way—and we're optimistic we can keep making real headway by being real with you about this.

Because the bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. We really need to see if we'll be able to raise more with this real estate on a daily basis than we have been, so we're hoping to see a promising start.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate