Empress Of’s New Album Is a Tale of Love, Heartbreak, and Everything In Between

Get lost in a world created by Lorely Rodriguez’s lyrics and rhythms.

Empress Of/Twitter

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We’ve got a special treat for you on this beautiful day called Friday. Not one Friday Find, not two, not even three, but 10 whole songs for you to jam to all weekend long (and maybe into next week?). For the first time, we’re giving you a whole album to listen to. So sit back, pop in those earbuds, and enjoy.

Our pick this week: Us by Empress Of (Terrible Records, 2018)

Why we’re into it: This underground artist makes big waves as she breaks into the mainstream with an album of love, heartbreak, and every emotion in between, released today.

Empress Of, otherwise known as Lorely Rodriguez, first gained attention in 2012, when she anonymously released a series of one-minute demos on YouTube, followed by a four-song bilingual EP in 2013. In 2015, she dropped her first full-length album, MeUs is her sophomore LP.

There’s so much to like about this album, so let me dive right into it, starting with the first track, “Everything to Me.” Rodriguez opens the album with an intense and robust love song, with beats and chords that draw on her elusive vocals. She weaves up and down, over the river and through the woods with lyrics that capture the ecstasy of complete infatuation. “I don’t know what else I would do, than me sitting right next to you,” she sings before an anonymous low voice slides in: “You’re always gonna be, everything to me.” But the strength of this song, and the strength of Rodriguez, is in her ability to conjure visuals through her words: “Sitting on your stoop all afternoon, pouring rain but we don’t move.”

She doesn’t let up on the love on her second track, “Just the Same.” The track opens with what appears to be a xylophone, modulated to fit the sound of the track. The lyrics evoke longing, love, and lust. “Something about your body makes me feel so safe, I want your body on top of me like a paperweight,” she sings, and then, as if reminiscing on the love from the first track, adds, “The genesis of all this started in the rain, I hope it grows into a forest just the same.” 

“Trust Me Baby” rolls in with Rodriguez serenading in Spanish; for the rest of the track, she weaves between English and Spanish. Even if your Spanish is lacking, the combination of her precision of tone and precision of production gives you everything you need to know about the love she sings of. In this song of wonder, she touches back on that infatuation she opens up the album with, but this time without that certainty of the other character loving her back, creating a feeling of curiosity and fear of the unknown.

“I Don’t Even Smoke Weed,” “Timberlands,” “I’ve Got Love,” “All for Nothing,” and “When I’m With Him” bring a different tone to the second half of the album, illuminating the dangers of infatuation and the anxiety of falling out of a relationship. On “I Don’t Even Smoke Weed,” she embraces the exuberance of uncertainty, paired with an elevating synth: “I care, but also I don’t care! I’m gonna dance even though I’m a bit unstable!” 

Rodriguez captures the slow unraveling of a relationship and asks whether it was all worth it. On the closing track, “Again,” she answers: “If I got the chance, I’d do it all again.” 

Empress Of’s tale is worth jamming out to, or quietly mulling over. Either way, Rodriguez’s ability to craft lyrics that take you to a time, place, and feeling, while dancing with her voice, is a gift not many artists can claim, and that’s what makes this Friday’s Find.

A few other honorable mentions worth checking out this weekend: MØ’s newest album, Forever Neverland, Khalid’s newest EP, Suncity, and Tove Styrke’s new single “Vibe.”

Go forth this weekend and enjoy, dance a little, cry a little, do everything in between. You deserve it. And as always, let us know what you think, or what you’d like to see as next week’s pick!

WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

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“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

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And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

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