SXSW Dispatch: Don’t Talk to Me About Music, Dammit

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nick-urata.jpgSo here’s the catch about covering the music portion of SXSW: after a day or two of playing as many as four sets a day and doing back-to-back interviews, musicians are tired of playing music, and even more tired of talking about it. Sometimes they’re hung over, or tired, hungry, annoyed, grouchy, or just a little disinterested. Can’t say I blame them; although they knew what they were getting into when they showed up, no?

The up-side is that when you tell someone you’re interviewing them for Mother Jones, suddenly their face lights up and they say screw jabbering about music, let’s talk politics. It’s happened consistently while here in Austin. So, here’s a brief glimpse at what’s on the minds of musicians at SXSW in 2008:

“I basically stopped reading all newspapers—except the sports sections— in early 2003. I just don’t really trust anyone. They’re all kind of crazy,” James McNew, bassist, Yo La Tengo.

“Obama came on the tele, and I was crying out, punching the air, saying ‘Yes, Yes!’,” Dave Wakeling, founder, the English Beat.

“We’re all foreigners,” Sandra Lilia, guitarist/singer, Pistolera.

“Let’s beach an aircraft carrier, and give that money we were spending to keep it afloat to some schools. We could pay for f!*king healthcare, but we pay for defense. Maybe people will finally f!*king vote in 08. But it’s only March, and it’s more bulls!*t every day,” Nick Urata, founder/singer/guitarist, DeVotchka.

“Democracy is a mass movement. If we don’t take a stand, and take democracy back, it will be taken from us. We need a major movement, and a plan to grow,” Richard Bowden, founder, Million Musicians March, Austin.

—Gary Moskowitz
(photo of Nick Urata of DeVotchka)

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

If you can, please support the reporting you get from Mother Jones—that exists to make a difference, not a profit—with a donation of any amount today. We need more donations than normal to come in from this specific blurb to help close our funding gap before it gets any bigger.

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