Getting Science into the Movies

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There’s a new science literacy program shaping up between the National Science Foundation and the University of Southern California School of Cinematic Arts (SCA) to bring science and engineering concepts to the public.

The program, called the Creative Science Studio, due to lauch this autumn, will be make use of SCA’s professional soundstages, animation facilities, post-production suites, mixing theaters, screening rooms, and all-digital classrooms to more accurately portray the way science works and what science knows.

The basic idea is to exchange tools:

  • To give faculty and students the science and engineering tools (instruments and data visualization methods) to enhance the way science is depicted in the movie industry (and the likes)
  • To give science researchers the creative tools to educate audiences

In the process, the next generation of entertainment producers will be exposed to science themes, be more comfortable with them, and more likely to accurately portray them to audiences of the future. SCA Dean Elizabeth M. Daley tells USC:

“This alliance is a vital and essential one. I’m excited for a symbiosis between these two institutions, which will play a major role in the ongoing evolution of scientific communication for both researchers and storytellers.”

The Creative Science Studio’s projects will include videos, interactive games, animations, and examples of information visualization, with a larger research project designed to interrogate “information” itself. SCA’s Institute for Multimedia Literacy produced a five- minute video describing the Studio:

 

 

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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