Learning Japanese With Weezer’s Rivers Cuomo

Courtesy Weezer

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Hurley, the latest release from irreverent alt-rock foursome Weezer—and the band’s first on indie label Epitaph—debuted at No. 6 on Billboard’s chart of the Top 200 albums—not bad for a band whose loyal old fans had been griping that something (presumably something dark and evil) had become of the band they grew up on. The album marks a reversion to Weezer’s earlier self, and not just stylistically; most of the lyrics evoke a state of perpetual adolescence. In “Memories,” front man Rivers Cuomo recalls pissing in plastic cups before we went on stage / playing hacky sack back before Audioslave was in rage. And, in “Trainwrecks,” We think it’s uncool to be on time / Mooching off our friends is not a federal crime. The album is simple and nostalgic, with plenty of raw guitar hooks.  

Hurley also addresses the band’s present: In “Time Flies,” Cuomo croons: Look into the mirror, there were lines around my eyes. And: I’m still in the race, and I’m barely keeping pace, but it’s worth the ride. Which all might look kind of depressing on paper, but Cuomo still delivers his lines with the characteristic flippancy his fans so love: Even when I’m gone this stupid damn song will be in your head / I’ll be looking down with a twinkle in my eyes. There’s no forgetting that Weezer’s still just a bunch of overgrown kids proud to put their nerdiness on display. We caught up with Cuomo recently to ask about his favorite music, aging rock stars, and what’s on his iPod.

Mother Jones: What’s your favorite new or upcoming release this year by a rock ‘n’ roll artist?

Rivers Cuomo: I guess by far I’d say Weezer, Hurley, ‘cuz it has great melodies, cool lyrics, crunchy guitars, high energy, raw emotion. That’s my favorite kind of record.

MJ: How about a release completely outside your genre?

RC: I don’t really listen to records anymore

MJ: Shuffle your iPod and name the first five songs that pop up.

RC: 1.?? — ???? [Sentence pattern—Lesson 30 (Japanese)]??
2. Sebadoh, “Decide”
3. Reverend Moses Mason, “John the Baptist”
4. Weezer, “The Dawn” (Live in Seattle, 2001-11-14)
5. Rush, “A Passage to Bangkok”

MJ: What’s the latest song, good or bad, that super-glued itself in your brain?

RC: Wheatus, “Teenage Dirtbag”

MJ: Three records you never get sick of listening to?

RC: The Beach Boys, Pet Sounds
Andras Schiff, Well-Tempered Clavier (by Bach)
Glenn Gould, Goldberg Variations (by Bach)

MJ: Any guilty pleasures?

RC: I never feel guilty about liking music.

MJ: Favorite holiday-related song or album?

RC: Weezer, “Holiday”

MJ: Favorite politically themed song or album?

RC: Public Enemy, It Takes a Nation of Millions to Hold Us Back

MJ: In 2006, you told the Harvard Crimson that your fan base was young kids, not college students, as per the Weezer stereotype. Is that still true?

RC: No, I don’t think that’s true anymore.

MC: There’s been some online lamenting from early fans of Pinkerton and The Blue Album saying, “What’s happened to Weezer?” What do you make of this nostalgia?

RC: I think those people will be very pleased with Hurley. Also, our “Memories” tour features songs from those albums.

MJ: Any bands you personally feel like you’ve outgrown as a listener?

RC: No, I enjoy listening to the albums of my youth as much as ever.

MJ: Name a few bands you think have aged really well, growing up alongside their fans and keeping them interested?

RC: Radiohead, U2

MJ: Your new album cover features Hurley, the character from Lost. Why Hurley? What do you think he represents?

RC: He’s just a warm, open, and loveable guy—with a lack of pretense. Especially in that particular photo. And we thought that image would be surprising on the cover of an alternative rock record.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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