For God’s Sake, Stop What You’re Doing and Go Buy Tickets to See Nick Cave


Nick Cave at San Francisco's Warfield Theater on July 8

Nick Cave at San Francisco’s Warfield Theater on July 8 Michael Rosenthal

Most concert reviews are ponderous, so I’ll keep this one short: The quirky, passionate Australian musician Nick Cave, who was profiled in Sunday’s New York Times Magazine if you care to read up on his latest doings, basically just renewed my faith in rock and roll—a concept that this scrawny, sexy, histrionic, 56-year-old love child of David Bowie and Tom Waits and something much darker more or less embodies.

Regardless of whether you’ve kept up with his oeuvre (I certainly haven’t) or can even name any Nick Cave songs, he’s a fabulous performer whom you need to see before you die—or before he does. Last night, during his second sold-out evening at San Francisco’s Warfield Theater, the audience was smitten as Cave bounced around the stage like a gothic scarecrow, styled out in his signature dark suit and black velvet, taking full advantage of his rich voice and theatrical tendencies.

Reaching into the front rows, and occasionally throwing himself halfway down into them, Cave connects intimately and powerfully with his audience, leavening lyrical intensity with dark humor: Within the twisted landscape of “Higgs Boson Blues,” Cave croons: “If I die tonight, bury me / In my favorite yellow patent leather shoes / With a mummified cat and a cone-like hat / That the caliphate forced on the Jews.” On the contemporary track “We Real Cool,” he sings, “Wikipedia is heaven / When you don’t want to remember no more.” And if you’ve never heard Cave’s unique take on “Stack-O-Lee” or “Stagger Lee” (or however you choose to write the name of the old murder ballad), well, yeah. It’s not much like the other hundred versions you might have heard.

Cave’s talented band, the Bad Seeds, is a marvelous cast of characters to boot, especially the guy I’m calling the Mad Fiddler (and flautist, guitar, keyboard, and mandolin player). All wild hair and long, scraggly half-gray beard, he attacks his violin like some deranged fiddler on the roof. Together the Bad Seeds highlight Cave’s quieter moments with subtlety, exploding with their bandleader when the time is right into mad catharsis. Rock and fucking roll at its finest. Tour dates are here.

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WE CAME UP SHORT.

We just wrapped up a shorter-than-normal, urgent-as-ever fundraising drive and we came up about $45,000 short of our $300,000 goal.

That means we're going to have upwards of $350,000, maybe more, to raise in online donations between now and June 30, when our fiscal year ends and we have to get to break-even. And even though there's zero cushion to miss the mark, we won't be all that in your face about our fundraising again until June.

So we urgently need this specific ask, what you're reading right now, to start bringing in more donations than it ever has. The reality, for these next few months and next few years, is that we have to start finding ways to grow our online supporter base in a big way—and we're optimistic we can keep making real headway by being real with you about this.

Because the bottom line: Corporations and powerful people with deep pockets will never sustain the type of journalism Mother Jones exists to do. The only investors who won’t let independent, investigative journalism down are the people who actually care about its future—you.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. We really need to see if we'll be able to raise more with this real estate on a daily basis than we have been, so we're hoping to see a promising start.

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