The XX’s Intriguing Intimacy

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It's time to fight like hell for a democracy where minority rule cannot impose an extreme and cruel agenda, where the Big Lie is called a Big Lie, where facts matter, and where accountability at the polls and in the press has a fighting chance. We have our work cut out for us, and we urgently need to raise about 400,000 by Thursday, June 30, to finish our fiscal year on track and give it everything we possibly can. Please help us get there with a donation if you can right now.

$1,150,000

$1,350,000

Right now is no time to come up short. It's time to fight like hell for a democracy where minority rule cannot impose an extreme and cruel agenda, where facts matter, and where accountability at the polls and in the press has a fighting chance. We have our work cut out for us, and we still need to raise upwards of 400,000 by June 30 to give it everything we can. Please help:

The XX
I See You
Young Turks

Courtesy of Sacks and Co.

After two albums of whispery, painfully fragile pop, the London trio The XX has morphed into a subtly different, though equally intriguing, entity. While I See You still features the creamy melodies and intimate vibes that brought them adoring critics and obsessed fans, these tender introverts display new confidence, embracing insistent R&B-style grooves and tackling unapologetically commercial tunes. Genteel singers Oliver Sim and Romy Madley Croft continue to act out classic boy-girl scenarios of romantic longing and fraught connection, from the anxious uptempo surge of “I Dare You” to the wistful “Test Me,” but seem less apologetic and more outgoing (in their shy way). When Croft sighs, “I will be brave for you/Stand on a stage for you/Do the things that I’m afraid to do,” she creates the uncanny sensation of eavesdropping on a private real-life encounter.